In 2001, Chris Landreth interviewed Ryan Larkin, award-winning Canadian animator and at the time of the interviews, a panhandler recovered from drug abuse and reliant on alcohol. Based on multiple recorded interviews, Landreth and his team at Toronto’s Seneca College created the visuals in Ryan, a 14-minute animated documentary that would go on to win Best Animated Short Film at the Oscars.
It is indeed a brilliant work; Ryan is easily one of the films I found most interesting in this course. The majority of the film is presented in a mirrored reality, where perspective does not seem to be linear and the grotesque characters’ psychological scars are shown externally. The CGI and 3D animation is aptly employed to do this to a viscerally disconcerting yet visually arresting effect.
The most intriguing is Ryan’s model, his body skeletal and his head almost hollowed out. Little arms on his thermos distracting him clue in to his alcoholism, which is the climax of the film when Landreth brings up the subject, and Ryan reacts aggressively, red literally spiking out from his head. It also includes touching moments where Ryan’s face almost begins to reconstitute itself, such as being reunited with one of the frames of his animation and speaking to his previous partner Felicity whom he still regards fondly. The film paints Ryan’s figure as a once-successful and prolific artist, suck in his predicaments, as the film says “living every artist’s worst fear”.
The film references and gives background to Larkin’s two famous works Walking (1969) and Street Musique (1972), both of which were done with Canada’s National Film Board and won many awards and nominations. They are worth viewing for their whimsical mood and style, all painstakingly done traditionally with various media (including watercolor).
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